CHLORIS

期盼人們永遠能從作品中看見恆常的光明和綿延的美好，我要你知道自己是誰，你擁有多大的力量，要你享受身為【自己】這件事，我要我們在彩霞裡相視而笑、在星雲裡得償所願，你可以，你可以，你可以，在這裡享受你的奇蹟。

我想，身為東方藝術家，尤其是身在台灣的東方藝術家，對於自身所處的位置及理念的發展常常是奔放的、飽富自由的，但又有一點相對保守的成分。我是千囍年所出生在台灣，並接受到延續20年思想改革到現代自我意識的革新、資訊爆炸，等時代轉變的台灣人，從出生起，我的周遭即充斥對於國家定位的忠告及排異，台灣的社會底蘊是傳統的東方思想，但同時卻因為國際發展的走向，而陸續引進自我認同、以及自我意識的解放及定義，這兩股力量，其實是過往最困擾我的兩股勢力，在環境和自我之間引起巨大的鴻溝，我想合一的生存在環境裡，同時又對自我實現充滿熱情，老實說當時的我對國家並沒有多大的感受，對自己的定義也不夠明確，對東方文化的道法自然以及老莊思想有巨大的憧憬，同時又對西方個人主義的自我觀念有強烈自我實現的理想，所以一度使我暈頭轉向，直至我認識了藝術大師吳冠中老師，老師的人生經歷介紹和作品，給了我強烈的重擊，溫柔又柔軟的重擊，我彷彿看見一道光，一個自己該去的地方，對於自己在創作中所處的位置有了新的想像和動力，吳冠中老師的旅法學習經歷，讓他在東方藝術中產生出一股非常柔和又獨特卻合一的繪畫風格，老師將自我意識在東方藝術裡綻放，同時表現著自己卻深愛著他的祖國及人民，可謂中西合併的精神橋梁代表，雖然西方文化及色彩影響了老師，但老師說 :「我是中國人。當我拿起畫筆作畫時，我畫的便是中國畫。」 用自我的精神去發揚中國文化，他始終飲水思源，將畢生回饋給家鄉、給生在祖國的自己。這不禁讓我思考身在台灣這個如此特殊位置的自己，作為一位藝術家，我好像能融合自己過往東方文化的思想、以及西方對於自我的實現，以轉捩點的位置去綻放東方文化，從近現代東方藝術到當代東方藝術的一個銜接，【好像是時候讓東方藝術綻放了】，在我的作品中你能看見我對於東方思想的敬重及敬畏，但同時又對於自我意識的成長及實現有所探討，我希望所有的台灣人知道，我們為何驕傲，台灣的獨特性、兼包容性，在未來勢必成為東方文明的重要轉折，因為歷史事件的發展及引導，讓台灣成為極具東方溫柔、合一、團結、開明的國家，可謂中西交融的結晶，我們不再懵懂的以對抗的心態來證明自己是誰，我們將以凱旋之姿大聲宣誓，我是台灣人，我為自己國家的社會兼容性及自我實現意志感到驕傲，我們終將讓東方文明大放異彩，實現約翰藍儂所嚮往的《lmagine》，不再有天堂、地獄、戰爭、搶奪、優越的區分，我們都為自己的出生、國家所驕傲，卻彼此仰慕與欣賞，所謂的天堂就在這裡，在我們的一顰一笑、舉手投足之間，我們就是天堂。

販售中作品為風格展示作品，是否還能選購，歡迎私訊聯繫，感謝。

接受客製作品，將會進行一定程度的心靈交流與分享，創作如同澄澈湖面般映照你的作品，歡迎進入上方表單或IG小盒子諮詢。

I hope that people will always see constant light and lasting beauty in my work. I want you to know who you are and how powerful you are. I want you to enjoy the experience of being yourself. I want us to gaze at each other and smile under the colorful sunset, to have our wishes fulfilled among the nebulae. You can, you can, you can, enjoy your miracle here.

As an Eastern artist, especially one based in Taiwan, the development of my position and philosophy is often free-spirited and full of liberty, but also carries a somewhat conservative aspect. Born in the millennium era in Taiwan, I experienced twenty years of ideological reform leading to a modern awakening of self-consciousness, along with the information explosion and societal transformations. Since my birth, my surroundings have been filled with advice and conflicts regarding Taiwan's national identity. Taiwan’s social foundation is rooted in traditional Eastern thought, but due to international developments, ideas of self-identity and liberation of personal awareness have gradually entered the scene. These two forces—the traditional and the modern—once deeply troubled me, creating a vast gap between the external environment and my internal self. I longed to harmoniously exist within my surroundings while being passionate about self-realization.Honestly, at that time, I didn't have a strong sense of national identity, nor was my understanding of self-definition clear. I greatly admired the Taoist philosophy of Laozi and Zhuangzi, while also being deeply inspired by the Western ideal of self-actualization in individualism. This dual influence left me confused for a while, until I encountered the works and life story of the great artist Wu Guanzhong. His experiences and creations struck me like a gentle, soft blow—yet one that hit hard. It was as if I saw a ray of light, guiding me toward where I needed to go. I gained a fresh imagination and motivation for my own position in creative work. Wu’s time studying in France allowed him to develop a painting style that was both soft and unique, harmoniously blending Eastern and Western art. He expressed his individuality while deeply loving his homeland and people, serving as a spiritual bridge between China and the West. Although Western culture and color theory influenced him, Wu once said, “I am Chinese. When I pick up my brush, I paint Chinese paintings.” He used his individual spirit to elevate Chinese culture, always remembering his roots and dedicating his life to giving back to his homeland.This has prompted me to reflect on my own unique position as a Taiwanese artist. It seems I, too, can merge the Eastern cultural philosophies of my past with Western ideals of self-realization, using this pivotal position to make Eastern culture flourish. From modern to contemporary Eastern art, I see a connection that can be made. It feels like it's time for Eastern art to truly blossom. In my work, you can see my reverence for Eastern philosophy, yet also my exploration of self-growth and realization. I hope that all Taiwanese people can understand why we should be proud—of Taiwan's uniqueness and inclusiveness. In the future, Taiwan will inevitably become a pivotal force in Eastern civilization, because the course of history has made it a country of gentle, unified, progressive openness—a true fusion of East and West. No longer do we need to prove who we are with a confrontational mindset. We will declare with triumph, "I am Taiwanese," proud of our society’s inclusivity and our will for self-actualization. We will one day make Eastern civilization shine brightly, realizing the vision in John Lennon’s Imagine—a world with no heaven, no hell, no war, no division of superiority. We will all be proud of our birth and country, while admiring and appreciating each other. The so-called paradise is here, in our every smile and gesture. We are the paradise.

The works currently on sale are style showcase pieces. If you're interested in purchasing, feel free to message me directly. Thank you.I also accept custom commissions, which will involve a certain level of spiritual exchange and sharing. The creation will reflect your essence, like a clear lake mirrors the sky. Feel free to fill out the form above or contact me via Instagram DMs for inquiries.